A few weeks ago, on a Saturday in the middle of May, I had one of those peculiar days that makes me realize I don't know Seoul as well as I thought. Forced by unseasonably poor weather to look for somewhere indoors to go, my girlfriend and I headed to the Daelim Contemporary Art Museum, just west of Gyeongbokgung Palace, to see an exhibition of the work of British artist Roger Dean, whose new-agey drawings once adorned the albums of prog rock nonsense I so enjoyed as a teenager.
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